"Megan Valle absolutely shines as Helen, the pre-med major whose drunken tryst derails her life's plans. We can understand the hurt, the confusion, and the acceptance of what her new life will entail because Valle brings an emotional honesty to the role. Of the twenty-three songs that make up SEASONS, she takes the solo in four of them, more often than not eliciting rapturous applause from the audience, especially in Helen's laments throughout "Instead of." " - BWW Review for Seasons: The Musical
"Megan Valle gets Helen just right — prickly at times, but not unlikable. Tough, but not grating. She’s the engine who keeps the show moving along." - Orlando Sentinel Review for Seasons: The Musical
"Valle, a skillful chameleon memorably dynamic last summer as the Mute in Columbus’ Short North Stage’s “The Fantasticks,” marvelously grasps Amelia’s elderly austerity as well as her pivotal uncertainty when faced with Mary’s wild claims." - Russell Florence of The Children's Hour
"The dances by Megan Valle captured the youthful and sexual themes of the story, and were visually appealing." --Scott Cain on Heathers: The Musical
"The role of the Mute (compellingly played by Megan Valle, who was also the show's choreographer) is decidedly different. In other productions, the Mute basically serves as an on-stage assistant to The Gallo but in this version, the actors are playing the show directly to her after she was traumatized by the Black Sunday dust storm in 1935 Oklahoma." - BWW Review of The Fantasticks
"Megan Valle, stern yet comedic as Tevye’s wife Golde, exudes strength and authority, but also conveys tender sensitivity. In fact, during one of the most gorgeously staged renditions of Sunrise, Sunset I have seen, Valle spins her introspective lines into beautiful morsels of bewilderment brought about by the passage of time" - Dayton Most Metro review of Fiddler
"Kudos to Wright State University’s outstanding student-produced regional premiere of Fun Home, a heartbreaking yet hopeful musical about deception, dysfunction, forgiveness, identity, and embracing one’s truth. Excellent concert-style direction by Megan Valle who also portrays Allison Bechdel (her staging of “Telephone Wire,” emphasizing distance and disconnect, particularly packs a punch). Also great to see Valle incorporate Bechdel’s comic strips throughout, a refreshing element not included in the Broadway production." - Russell Florence on Fun Home
"Megan Valle gets Helen just right — prickly at times, but not unlikable. Tough, but not grating. She’s the engine who keeps the show moving along." - Orlando Sentinel Review for Seasons: The Musical
"Valle, a skillful chameleon memorably dynamic last summer as the Mute in Columbus’ Short North Stage’s “The Fantasticks,” marvelously grasps Amelia’s elderly austerity as well as her pivotal uncertainty when faced with Mary’s wild claims." - Russell Florence of The Children's Hour
"The dances by Megan Valle captured the youthful and sexual themes of the story, and were visually appealing." --Scott Cain on Heathers: The Musical
"The role of the Mute (compellingly played by Megan Valle, who was also the show's choreographer) is decidedly different. In other productions, the Mute basically serves as an on-stage assistant to The Gallo but in this version, the actors are playing the show directly to her after she was traumatized by the Black Sunday dust storm in 1935 Oklahoma." - BWW Review of The Fantasticks
"Megan Valle, stern yet comedic as Tevye’s wife Golde, exudes strength and authority, but also conveys tender sensitivity. In fact, during one of the most gorgeously staged renditions of Sunrise, Sunset I have seen, Valle spins her introspective lines into beautiful morsels of bewilderment brought about by the passage of time" - Dayton Most Metro review of Fiddler
"Kudos to Wright State University’s outstanding student-produced regional premiere of Fun Home, a heartbreaking yet hopeful musical about deception, dysfunction, forgiveness, identity, and embracing one’s truth. Excellent concert-style direction by Megan Valle who also portrays Allison Bechdel (her staging of “Telephone Wire,” emphasizing distance and disconnect, particularly packs a punch). Also great to see Valle incorporate Bechdel’s comic strips throughout, a refreshing element not included in the Broadway production." - Russell Florence on Fun Home
